Live sports production Built for sport.

Premier League matchdays and world tours, produced and delivered by one team. Cameras at the venue. Programme cut in North London. Carried over our own network to your broadcasters, streaming platforms and stadium screens.

Who we work with

What we do Your production. Our team.
From venue to air.

From the cameras at the venue to the feed your broadcasters receive, we handle the whole production. Commission the complete programme, or choose the services you need.

How remote production works

Where to start

Outside broadcast providers

OverExposed TV build and run the outside broadcast. We carry it to broadcasters and platforms. See the work

How we do it Planned with you, watched 24/7.

We plan your running order, venue connectivity and broadcast outputs with you. Our own software runs the graphics and keeps every feed in view, so the team operating your production can see what needs attention.

Fan engagement for clubs
Our graphics and score app on an iPad in our control room, with the match score, clock and graphics controls.
Our graphics and score app, on the desk in our control room.
Our gateway software distributing a boxing world feed: one SRT input, primary and backup outputs, automatic failover armed and every check reading OK.
Our own gateway software: one encrypted feed in, primary and backup outputs out, with automatic failover.
Production planning
We plan each fixture with your team in our own planning tool, so even how the venue connects is settled before the day.
Graphics
As an official Ross Video partner, we run graphics on Ross XPression alongside our own score app, updating the broadcast, the big screen and the web from a single touch.
Monitoring
Our monitoring team follows every path and steps in as soon as something needs attention.

Planning an outside broadcast?

Tell us the venue and where the feed needs to go. We’ll assess the connectivity and help you choose between remote production and an OB truck.

Remote production or an OB truck?
Two broadcast cameras on tripods pitchside at Wembley, with our camera operator behind them.
Our cameras, pitchside at Wembley.

A note from Harry You’ll deal with us directly.

I started Subset in 2014 because I was frustrated by how much of every production was outsourced and passed between third parties. So we built the control room, the network and the software ourselves, and one team runs all of it. When something goes wrong, there is one phone number to call, and it is ours.

The people who plan your production are the people who run it on the day.

Our monitoring room in Enfield is staffed around the clock, so if something goes wrong at 3am, the person who picks up the phone can already see it.

Harry Williams Managing Director

Tell me about your production

Tell us what’s going to air.

Tell us about your production