Premier League clubs, world tours and outside broadcast providers rely on us for production, contribution and distribution. Here’s what we do for them, from matchday screens to feeds delivered worldwide.
Premier League
Matchday production, big screen, highlights
We produce men’s, women’s and academy matchdays, home and away, with fan engagement built in. Our crew run the stadium screens from the booth at Stamford Bridge or from our North London control room, working to the club’s running order and alongside the systems already in the ground. We also carry contribution from the club’s Asia tour and keep the training ground connected.
Matchday production for clubsPremier League
Production partner: matchdays, technical support, trophy parade
We’re Arsenal’s matchday production partner, home and away, across men’s, women’s and academy fixtures, providing crew and technical support. For the trophy parade, we planned and ran the live pictures from the bus over Starlink, private 5G and private fibre, delivering the feed to the club and broadcasters without a conventional uplink.
Our networkWorld tour
Global contribution and distribution
The tour produces its own world feed. We carry it from events across Europe, the Middle East, Asia and the US, and send it on to the tour’s broadcasters over IP. The multiviewer we built for the tour shows the incoming feeds and broadcaster outputs, with automated alerting and full TR 101 290 reporting.
Federations and toursOutside broadcast provider
The network behind their outside broadcasts
OverExposed build and run the outside broadcast. We carry their pictures from the venue to broadcasters and platforms over our own broadcast network.
Contribution and distributionPress conference
SRT distribution to broadcasters
We received the main and backup feeds from the venue and delivered monitored SRT feeds for broadcasters to take live on their own channels, with automatic failover between the two paths from site.
Contribution and distributionAnd behind the scenes of many more…
Tell us about yoursRemote production
Every camera at the ground is brought home over our network, and the programme is cut in our North London control room.
How remote production works