Multi-camera coverage
Every camera at your ground comes home to our North London control room, where we cut the programme live with replays built in, as we do for Premier League clubs across the season.
Live sports production services Live coverage,
built around your event.
We produce live sport for Premier League clubs, home and away, and carry world tours across four continents. Bring us the whole production, or just the part you need, from graphics to delivery for a show you already make.
Pitchside at Wembley.
What you can commission Your production,
built around the event.
Graphics and data
Official Ross Video partner. Our graphics run on Ross XPression and HTML5 and are driven by live match data, so the score on the broadcast, the big screen and the web changes the moment it happens.
Commentary and audio
Commentators call it from the venue, from our commentary position in North London or from home, and the audio is mixed live on our desk alongside the pictures.
Highlights and clips
Goals, interviews and highlights are cut while the match is still on, so your app and social channels have them before the crowd has left the ground.
Events and seasons One event, a tour
or a whole season.
- Single events
- A one-off gets the same care as a season. We assess the venue, plan the connectivity and test the whole chain before you go on air.
- Full seasons
- More than 200 matchdays a season, home and away, for Premier League clubs. Men’s, women’s and academy sides all get the same coverage.
- Tours and tournaments
- The control room, graphics and replay stay in one place while the kit travels, so the show looks the same at every stop. Our touring kit has carried the PSA Squash Tour’s world feed from Europe, the Middle East, Asia and the US.
- Parades and one‑offs
- When Arsenal paraded the trophy, the live pictures came off the bus on our Starlink dish, with private 5G and private fibre behind it.
- Cameras and crew
- Bring us the host broadcaster’s cameras or let us supply our own. We’ve rigged pitchside at Wembley and on the touchline at Stamford Bridge.
- Engineers
- Our engineers are on site early, and the whole chain from camera to control room is tested before you go on air.
- Connectivity
- Permanent fibre where you play every week, bonded 5G and Starlink where you don’t. Whatever your venue has, we’ve worked with it. How the venue connects
Outputs Where your
coverage goes.
- Broadcasters
- Your broadcasters take the feed over SRT or Zixi, in the format each one asks for, with satellite on request.
- Online and streaming
- The same programme reaches your streaming platform, club channels, app, web and social at the same time.
- Stadium screens
- The big screen, LED boards and stadium TVs run off the same production, so the ground sees what the broadcast sees.
- Several at once
- One programme, many destinations. The PSA’s world feed leaves each venue once and reaches every one of the tour’s broadcasters.
Working with us From first call
to on air.
Tell us about your event
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First call
Tell us the date, the venue and where the programme needs to go. Rough plans are fine.
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Planning
Every detail goes into our own planning tool, shared with your team, down to how the venue connects.
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The day before
We set up and test the kit, main and backup, and log every check.
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On air
The programme is cut live in North London, and our monitoring team is there for your broadcasters throughout.
Looking for an outside broadcast?
We can produce your event from our North London control room, with cameras and crew at your venue. You don’t have to decide between remote production and a truck before you talk to us. We’ll assess the venue with you.
If you already have an outside broadcast provider, we can carry their programme to your broadcasters, as we do for OverExposed TV.
Remote production or an OB truck?Before you enquire Planning your production.
How much can you take on?
As much as you want to hand over. For Chelsea that is the whole matchday, from the cameras to the big screen. For OverExposed TV it is getting their own programme to the broadcasters.
Can you work with the host broadcaster?
Yes. At the venue we can work with the host broadcaster’s cameras and camera operators, or bring our own.
What if we don’t know what the venue can support?
Tell us where it is. We’ve worked from permanent fibre, bonded 5G, Starlink and venue internet, and we assess each venue before we plan the production.
Can you provide graphics, replay and commentary?
Yes. Replays run from the replay position in our control room, our graphics are driven by live data, and commentary can come from the venue, from North London or from home.
What helps you prepare a proposal?
The date, the venue and where the programme needs to go are the most useful details. If some of that isn’t decided yet, send what you have.
What affects the cost?
The main factors are the venue and its connectivity, the number of cameras and whose they are, what the programme includes, how many destinations it goes to and how many events there are.
Can you cover a full season?
Yes. We already operate over 200 matchdays each season for clubs, and we can run more than one production at once.